![]() ![]() ![]() Farad Bruce Haack serves as a glowing primer of Haack's work throughout his career. Similar to friend Raymond Scott (who J-Dilla sampled for 'Lightworks'), Haack's facility to create new electronic soundscapes has turned his work into a virtual music library, one whose samples have already been culled by the likes of Cut Chemist. Adding to his musical pastiches, Haack used home-made modular synthesizers, proto-vocoders, and the heat-touch sensitive Dermatron to expand his music into the technological realm of creativity. Haack released material off his own label Dimension 5 Records in 1962, which allowed him to mix kinetic energy, infuse psychedelic philosophy, and pluck sounds from various genres across the board. In order to further explore this dynamic, Haack dropped out of Juilliard to pursue a more experimental course in, surprisingly, educational children's music. "Haack's music is rooted in the idea that humans and electronic machines share a reciprocal relationship that manifests itself through sounds. ![]()
0 Comments
Leave a Reply. |